f371 AWN Oscar Travelogue » Academy of Motion Pictures Arts & Sciences


Oscar Showcase Tour 09 Academy Screenings Gallery

24 02 2009
This Way Up's producer Charlotte Bavasso, writer/producer Chris O’Reilly, director Adam Foulkes, and director Alan Smith.
This Way Up's producer Charlotte Bavasso, writer/producer Chris O’Reilly, director Adam Foulkes, and director Alan Smith.

One of the highlights of the tour is always the public screening at the Academy of Motion Pictures Arts & Sciences. This year the Academy not only hosted a night highlighting the shorts, but also the animated features. Check out the pics for both events.

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Another Sold Out Year at the Academy

18 02 2009
The nominees - Oktapodi's Emud Mokhberi (l-r), Oktapodi's Thierry Marchand, Lavatory Lovestory's Konstantin Bronzit, La Maison's Kunio Kato, This Way Up's Alan Smith, This Way Up's Adam Foulkes, and Presto's Doug Sweetland
The nominees - Oktapodi's Emud Mokhberi (l-r), Oktapodi's Thierry Marchand, Lavatory Lovestory's Konstantin Bronzit, La Maison's Kunio Kato, This Way Up's Alan Smith, This Way Up's Adam Foulkes, and Presto's Doug Sweetland

The screening at the Academy of Motion Pictures Arts & Sciences is always an exciting event for the nominees. Sell out crowds are eager to see the films and are always very receptive. The screening is also a big press event with the nominees juggling interviews and photo ops with news outlets from around the world.

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Oscar Showcase 08 Academy Screening Photo Gallery

25 02 2008
The Oscar nominees (l to r) Maciek Szczerbowski, Chris Lavis, Hugh Welchman, Suzie Templeton, evening MC director Curtis Hanson, Josh Raskin, Samuel Tourneux and Simon Vanesse. © 2008 A.M.P.A.S.
The Oscar nominees (l to r) Maciek Szczerbowski, Chris Lavis, Hugh Welchman, Suzie Templeton, evening MC director Curtis Hanson, Josh Raskin, Samuel Tourneux and Simon Vanesse. © 2008 A.M.P.A.S.

On the evening of Feb. 19th, the Academy of Motion Pictures Arts and Sciences hosted a screening of the animated and live-action shorts. Check out the pictures from the star-studded event.

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Nominees Treated Like Superstars At Academy Screening

20 02 2008
At the Academy reception, new Academy member Marcy Page poses with Academy governor John Lasseter and NFB exec producer David Verrall. © 2008 AWN Inc.
At the Academy reception, new Academy member Marcy Page poses with Academy governor John Lasseter and NFB exec producer David Verrall. © 2008 AWN Inc.


After the Q&A at 20th Century Fox, tour host Ron Diamond had to quickly move the nominees toward the road so that we could make the reception before the Academy of Motion Pictures Arts & Sciences screening. With the event filled with press from all over the globe, the nominees were given the star treatment. On the way to the screening, I asked I Met the Walrus producer Jerry Levitan what went through his mind when he heard that his film was nominated. He said that is was surreal and knew that his life would be different from now on. With dozens of photographers clamoring to get his picture, I guess he was right. Walrus director Josh Raskin said his food was pulled away from him three times, as he was spirited away to another interview. During the reception, Madame Tutli-Putli producer Marcy Page was able to thank John Lasseter for his endorsement in getting her into the Academy. The Disney animation head said it was warranted and thanked her and fellow NFB exec David Verrall for continuing to fund short animation.

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Ron’s Pics from DreamWorks, Fox, the Academy, Disney & ICM

23 02 2007
The group gathers for a photo op at DreamWorks. Don Hahn (l to r), Roger Allers, Katherine Sarafian, Chris Renaud, Gary Rydstrom, Marcy Page, Badgered director Sharon Colman, John Tarnoff, Torill Kove, Rick DeMott, Geza Toth and Lise Fearnley. © AWN Inc.
The group gathers for a photo op at DreamWorks. Don Hahn (l to r), Roger Allers, Katherine Sarafian, Chris Renaud, Gary Rydstrom, Marcy Page, Badgered director Sharon Colman, John Tarnoff, Torill Kove, Rick DeMott, Geza Toth and Lise Fearnley. © AWN Inc.

Here it is the long awaited gallery of select pics from Ron’s camera from the Oscar Showcase tour’s swing by DreamWorks, Fox, the Academy, Disney and ICM. There’s also a couple special pics at the end courtesy of No Time for Nuts director Mike Thurmeier.

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Katzenberg, Fox Lot, Mirren: Another Whirlwind Day on the Oscar Tour

21 02 2007
Jeffrey Katzenberg introduces the screening at DreamWorks. © AWN Inc.
Jeffrey Katzenberg introduces the screening at DreamWorks. © AWN Inc.

Well, I just got back from the Academy screening, which closed another whirlwind day on the Oscar Showcase tour. In addition, to Roger, Don, Marcy, Geza and Tamas, Gary Rydstrom, Lifted producer Katherine Sarafian (who we’d all meet at the Pixar screening), Torill Kove, The Danish Poet’s Norwegian producer Lise Fearnley, co-director of No Time for Nuts Chris Renaud and No Time for Nuts producer Lori Forte all joined the fun. Mike Thurmeier is back in New York with his wife and we’re happy to announce their new daughter has arrived. Her named is Katelyn Ivy. She was born on Feb. 18th at 2:23 in the afternoon. She was 21 inches long and a healthy 8lbs 10ozs!!!

We began our day at DreamWorks, where we were greeted by John Tarnoff, the head of the studio’s “incubator” department, which develops the initial artistic designs and storyboards for the company’s feature animated films. Jeffery Katzenberg came to meet the nominees and introduce the screening. He commented that the current renaissance in animated shorts is inspiring. He added that one of his dreams when he started in the industry was to be involved with a project that was nominated for an Academy Award, because it was an acknowledgement from your peers, and told the nominees to cherish this moment. In addition, he was delighted to finally have Roger and Don, who he worked with at Disney, visit the DreamWorks studio. During the screening, Jeffery requested a private screening of Lifted, which Ron provided for him. The audience at the screening was receptive and had many of the same questions that artists at the other studios had such as “what was your inspiration” and “how long did it take to make the film?”

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