Watch It On AWN TV!

At the ILM dinner, animation supervisor Hal Hickel, who was nominated for Pirates of the Caribbean: At World’s End, talks with Madame Tutli-Putli director Chris Lavis about motion-capture and the importance of eyes in animation.

Watch It On AWN TV!

At the ILM Q&A, director Josh Raskin explains where I Met the Walrus’ interview with John Lennon originated from.

Watch It On AWN TV!

At the ILM Q&A, Madame Tutli-Putli director Maciek Szczerbowski and Peter and the Wolf director Suzie Templeton talk about the scale of their film’s puppets.

Watch It On AWN TV!

ILM artist Mark Siegel talks with I Met the Walrus director Josh Raskin about John Lennon.

I Met the Walrus director Josh Raskin introduces himself to Peter and the Wolf producer Hugh Welchman. © 2008 AWN Inc.

Here’s the first photo gallery from the 2008 Oscar Showcase tour. Witness the nominees posing for pics with the many wonders on display inside the doors of the premiere visual effects studio.

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The group poses for a pic at Skywalker Sound. © 2008 AWN Inc.

At the beginning of our long ride to Skywalker Ranch, Marcy learned that the Oscar nominated shorts were written up in an extensive article in The New York Times. The piece was in conjunction with Magnolia’s theatrical release of the Oscar shorts in theaters. Josh said that Magnolia have been awesome, stating that they were willing to take the legal liability if rights issues were not worked out with the Lennon estate. In the future, Josh and James hope to turn their film into a book that goes into more detail about how Jerry Levitan made the Lennon recordings. Their idea is to make intricate handmade books that feature a DVD of the film. Hugh shared the advertising he had printed for the feature film he produced called Free Jimmy, which has been making the festival circuit and chronicles the adventures of a circus elephant that has heroin sown into its stomach. With Skywalker Ranch on everyone’s mind, the conversation turned to the animated Star Wars: Clone Wars, which it was just announced will be coming to theaters as a feature first before arriving on Cartoon Network in the fall. Chris coined the phrase inter-quel to describe it. Along the way, Hugh had us introduce ourselves for a video diary he is doing for Channel 5 in the U.K., which airs on Friday. So if you’re in England, set your TiVos, we want copies.

As we drove up to Skywalker Ranch, the excitement was clearly growing in the packed van. After watching the Skywalker Sound reel and some animation clips in the impressive Stag Theatre, we met with Randy Thom, who is nominated for his sound work on Ratatouille. He said that Brad Bird likes to experiment with sound before animation is even begun and one sound issue they needed to work out was how much would they use the rats’ real rat voices. As the final film shows, they decided that lesser is better. The voices were actually created by speeding up the actors’ voices. Randy said that for most productions 25-35% of the sound is recorded new and that the rest is taken from their vast library and manipulated to create something unique for the particular project.

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The nominees and their ILM guests grab a late dinner across the street from the studio. © 2008 AWN Inc.

After the ILM Q&A, the studio hosted a dinner for the nominees, where we sat with animation supervisor Hal Hickel, who is nominated for Pirates of the Caribbean: At World’s End. Chris was impressed with the seamless work that Hal was involved with on Iron Man combining practical effects with CG. As for CG, Maciek feels he couldn’t work in CG, because he needs more hands on, tactile interaction with his art. He likes work environments were artists are talking and working out issues, not hidden behind iPods for five hours of straight work. In turn, Sam feels freed by the ability to create elaborate worlds with more control inside the computer. It just goes to show how the artistic experience differs from one person to the next.

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The nominees relax (and goof around if you look in the background) in the ILM lobby. © 2008 AWN Inc.

With everyone attending the San Fran leg of the tour together, ILM’s Danielle O’Hare greeted us in the lobby and treated the filmmakers to a tour. Having taken the tour last year with our gracious host Kate Shaw, this year we learned some of the same history with a sprinkling of some new facts. For instance, on the wall is ILM’s last matte painting from Die Hard 2. At the time of its creation Jim Henson had just passed away, so as a tribute, the artists painted Kermit faces on the side of the trucks featured in the wide shot of the snowy tarmac at the close of the film. Hugh inquired what has happened to the traditional matte painters and Danielle said that many have transitioned over to CG, while James joked that the others having transitioned over into driving cabs.

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I Met the Walrus illustrator James Braithwaite greets Even Pigeons Go to Heaven director Samuel Tourneux at ILM. © 2008 AWN Inc.

The tour has begun. And what a way to begin – a screening at ILM. As Ron Diamond, host of the tour and publisher of AWN, and I pulled up to Sofitel hotel, I Met the Walrus director Josh Raskin, Walrus illustrator James Braithwaite and Madame Tutli-Putli director Maciek Szczerbowski were standing outside. Having toured with the Animation Show of Shows, all three enthusiastically greeted Ron, like a reunion of old friends. As we made our way into the hotel to check-in, we were greeted by Oscar tour veteran Marcy Page, who traveled around with us last year for the Oscar-winning film The Danish Poet. This time I was able to engage in an “old friend” reunion myself. Last year’s event was such a wonderful bonding experience that I feel so excited to share with the others about the things we have in store.

The tired filmmakers who have flown in from all corners of the globe took the opportunity to rest before Ron whisked them away in the whirlwind that is the Oscar Showcase tour. After their brief break to reenergize, they slowly trickled down to the hotel restaurant to join us for a bite to eat. Marcy was the first to arrive. As Ron and Marcy caught up on projects they are working on, Marcy revealed that the new film from Michèle Cournoyer, the creator of 2000’s The Hat, will be a controversial one, due to its critique of the burkas worn by Muslim women. Currently, the film is tentatively titled Dress for War.

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Outside the Hotel Sofitel in Redwood Shores. Rick DeMott (l to r), Mike Thurmeier, Marcy Page, Roger Allers, Don Hahn & Ron Diamond. © AWN Inc.

Ron and I snapped quite a few pictures during the San Fran leg of the tour. Here’s a gallery of some of the pics that Ron took. Keep checking back for more exclusive photos from the Oscar Tour.

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